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Interval

The distance between two pitches or notes. Intervals may be measured in a number of ways; e.g., by counting the number of semitones, subtracting frequencies, etc. Counting semitones is used in set theory. However, the most common method is by counting letter names; e.g. C, D, E, F includes 4 letters -thus, C to F is called a fourth and is always a fourth, no matter how the notes may be altered by sharps or flats. This is called the "general size" of the interval. However, each general interval may have several "specific sizes"; e.g. a third could be major, minor, diminished?, augmented?, etc. The specific size is determined by 1. the general size, and 2. the number of semitones it contains. (Solomons Musical Glossary)

The distance in pitch between two notes, harmonic if they are played together, melodic? if they are played in succession.
Perfect : the prime?, fourth, fifth, and octave.
Major : the second?, third, sixth?, and seventh? of the major scale.
Minor : a chromatic? half step smaller.
Augmented? : a chromatic? half step larger than perfect and major.
Diminished? : a chromatic? half step smaller than perfect and minor.

An interval is a combination of two tones. It is also the distance between or the difference between two tones. When these two tones are sounded together the result is an harmonic interval, and when they are sounded one after the other the result is a melodic? interval. The quality of an interval is determined by its size and by the relationship of its position to the keynote.

Augmented Interval A musical interval slightly increased in pitch by the addition of a sharp.
Diminished Interval A perfect or minor interval reduced by a semitone.

Perfect Interval The Perfect Interval is a Major Interval where the lower tone is found in the Major Scale of the upper tone as well as the upper tone is found in the Major Scale of the lower tone. The Major 6th to the right is Major as D is part of the Major Scale of F but F is not part of the Major Scale of D. Therefore it is not a Perfect Interval. The Perfect 4th to the lower right is Perfect because F is found in the Major Scale of C and C is found in the Major Scale of F. Perfect Intervals may be a 1st, 4th, 5th and 8th.
Sixths Interval


There are five types of intervals: major (indicated by M), minor (m), perfect (P), diminished? (dim.), and augmented? (Aug.).

A major interval contracted - by lowering the upper note or raising the lower note - by one half step becomes minor, and contracted by another half step becomes diminished?.

A perfect interval contracted by a half step becomes diminished?, and contracted by another half step (not usually practical), becomes doubly diminished?.

A perfect or a major interval expanded by a half step becomes augmented?. (Byre, Joseph; Basic Principles of Music)

The distance in pitch between two notes, which is expressed in terms of the number of notes of the diatonic scale? which they comprise (e.g. third, fifth, ninth?) and a qualifying word (perfect, imperfect?, major, minor, augmented?, or diminished?). The number is determined by the position of the notes on the staff, the qualifying word by the number of tones and semitones in the interval. Thus (no clef) C - G is always a third, while (F clef) C - G is a major third?, being a distance of two tones, and (G clef) C - G is a minor third?, being a distance of a tone and a half. (Collin's Music Encyclopedia)

Click Here to Calculate Music Intervals in any Octave



Interval Ratio Numerator Denominator Decimal
Pythagorean Komma? 81/80 81 80 0.9765625
Enharmonic 128/125 128 125 0.9765625
Lesser Chromatic Semitone? 25/24 25 24 0.96
Leimma? 256/243 256 243 0.94921875
Greater Chromatic Semitone? 135/128 135 128 0.94814814814815
Minor Semitone? 17/16 17 16 0.94117647058824
Major (Diatonic) Semitone? 16/15 16 15 0.9375
Minor Second? 27/25 27 25 0.92592592592593
Minor Tone? 10/9 10 9 0.9
Major Second? 9/8 9 8 0.88888888888889
Augmented Second? 75/64 75 64 0.85333333333333
Minor Third? (Pythagoras) 32/27 32 27 0.84375
Minor Third? 6/5 6 5 0.83333333333333
Major Third? 5/4 5 4 0.8
Major Third? (Pythagoras) 81/64 81 64 0.79012345679012
Diminished Fourth? 32/25 32 25 0.78125
Augmented Third? 125/96 125 96 0.768
Perfect Fourth? 4/3 4 3 0.75
Augmented Fourth? 25/18 25 18 0.72
Tritone? 45/32 45 32 0.71111111111111
Diminished Fifth? 64/45 64 45 0.703125
Diminished Fifth? 36/25 36 25 0.69444444444444
Perfect or Major Fifth 3/2 3 2 0.66666666666667
Augmented Fifth? 25/16 25 16 0.64
Minor Sixth? 8/5 8 5 0.625
Major Sixth? 5/3 5 3 0.6
Augmented Sixth? 125/72 125 72 0.576
Harmonic Seventh? 7/4 7 4 0.57142857142857
Dominant or Minor Seventh? 16/9 16 9 0.5625
Minor or Tonic Seventh? 9/5 9 5 0.55555555555556
Major Seventh? 15/8 15 8 0.53333333333333
Diminished Octave? 48/25 48 25 0.52083333333333
Augmented Seventh? 125/64 125 64 0.512
Octave 2/1 2 1 0.5
Minor Ninth? 32/15 32 15 0.46875
Major Ninth? 9/4 9 4 0.44444444444444
Harmonic or Minor Tenth? 7/3 7 3 0.42857142857143
Minor Tenth? 12/5 12 5 0.41666666666667
Major Tenth? 5/2 5 2 0.4
Perfect Eleventh? 8/3 8 3 0.375
Harmonic Eleventh? 11/4 11 4 0.36363636363636
Augmented Eleventh? 45/16 45 16 0.35555555555556
Perfect Twelfth? 3/1 3 1 0.33333333333333
Augmented Twelfth? 25/8 25 8 0.32
Minor Thirteenth? 16/5 16 5 0.3125
Harmonic Thirteenth? 13/4 13 4 0.30769230769231
Major Thirteenth? 10/3 10 3 0.3
Harmonic Fourteenth? 7/2 7 2 0.28571428571429
Dominant Fourteenth? 32/9 32 9 0.28125
Tonic Fourteenth? 18/5 18 5 0.27777777777778
Major Fourteenth? 15/4 15 4 0.26666666666667
Double Octave?, Fifteenth 4/1 4 1 0.25


See Also

1.23 - Power of Harmonics through Summation Tones
12.42 - Tone
Figure 8.5 - Summation Tones
Figure 8.6 - Difference Tones
Frequency
Fundamental
Note
Overtone
Overtone series
Part 11 - SVP Music Model
Scale
Scale of Locked Potentials
Resultant Tone
Tone
Undertone


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Page last modified on Thursday 08 of July, 2010 15:43:37 MDT by admin.

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